A retired man that used to work for the National Electricity Company fight with his sons who want to get his money.

Three couples, three destinies, three stories: a man imagines his life a disaster due to the abandonment of his wife; a successful model who is unfaithful to her own agency and the reunion of a man and a woman who are unfaithful to their respective partners.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

Inspired by a real news story, this tale follows a couple whose romantic getaway takes an unexpected turn. When the man proposes marriage, their moment of joy unfolds against the backdrop of unsettling events, weaving a narrative of love, vulnerability, and unforeseen challenges.

In Alta Definição, Daniel Oliveira interviews one guest every week with an intimate approach.

In Alta Definição, Daniel Oliveira interviews one guest every week with an intimate approach.

我不想像一只鸽子那样，在你们的欧洲生活。

This is one of the most beautiful and mysterious shorts committed to film. Visuals are more like a moving painting than anything else I've seen. There are certainly elements of films like City of Lost Children in there, but taken to another level. Visually only Casshern comes close to this, for sheer depth of vision. It just shows you what is possible for people to achieve with some imagination. Too many film makers seem to want to use digital effects to create the most realistic looking sets/ extras/ stunts, when they should be concentrating on making it look as interesting as possible.

This is one of the most beautiful and mysterious shorts committed to film. Visuals are more like a moving painting than anything else I've seen. There are certainly elements of films like City of Lost Children in there, but taken to another level. Visually only Casshern comes close to this, for sheer depth of vision. It just shows you what is possible for people to achieve with some imagination. Too many film makers seem to want to use digital effects to create the most realistic looking sets/ extras/ stunts, when they should be concentrating on making it look as interesting as possible.